Psalms 143 — DRA — Scriptura

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143Blessed be the Lord my God, who teacheth my hands to fight, and my fingers to war.
^{Verse 2}My mercy, and my refuge: my support, and my deliverer: My protector, and I have hoped in him: who subdueth my people under me.
^{Verse 3}Lord, what is man, that thou art made known to him? or the son of man, that thou makest account of him?
^{Verse 4}Man is like to vanity: his days pass away like a shadow.
^{Verse 5}Lord, bow down thy heavens and descend: touch the mountains and they shall smoke.
^{Verse 6}Send forth lightning, and thou shalt scatter them: shoot out thy arrows, and thou shalt trouble them.
^{Verse 7}Put forth thy hand from on high, take me out, and deliver me from many waters: from the hand of strange children:
^{Verse 8}Whose mouth hath spoken vanity: and their right hand is the right hand of iniquity.
^{Verse 9}To thee, O God, I will sing a new canticle: on the psaltery and an instrument of ten strings I will sing praises to thee.
^{Verse 10}Who givest salvation to kings: who hast redeemed thy servant David from the malicious sword:
^{Verse 11}Deliver me, And rescue me out of the hand of strange children; whose mouth hath spoken vanity: and their right hand is the right hand of iniquity:
^{Verse 12}Whose sons are as new plants in their youth: Their daughters decked out, adorned round about after the similitude of a temple:
^{Verse 13}Their storehouses full, flowing out of this into that. Their sheep fruitful in young, abounding in their goings forth:
^{Verse 14}Their oxen fat. There is no breach of wall, nor passage, nor crying out in their streets.
^{Verse 15}They have called the people happy, that hath these things: but happy is that people whose God is the Lord.

Commentary

The poet pleads two motives for the answering of his prayer which are to be found in God Himself, viz., God's אמוּנה, truthfulness, with which He verifies the truth of His promises, that is to say, His faithfulness to His promises; and His צדקה, righteousness, not in a recompensative legal sense, but in an evangelical sense, in accordance with His counsel, i.e., the strictness and earnestness with which He maintains the order of salvation established by His holy love, both against the ungratefully disobedient and against those who insolently despise Him. Having entered into this order of salvation, and within the sphere of it serving Jahve as his God and Lord, the poet is the servant of Jahve. And because the conduct of the God of salvation, ruled by this order of salvation, or His "righteousness" according to its fundamental manifestation, consists in His justifying the sinful man who has no righteousness that he can show corresponding to the divine holiness, but penitently confesses this disorganized relationship, and, eager for salvation, longs for it to be set right again - because of all this, the poet prays that He would not also enter into judgment (בּוא בּמשׁפּט as in Job 9:32; Job 22:4; Job 14:3) with him, that He therefore would let mercy instead of justice have its course with him. For, apart from the fact that even the holiness of the good spirits does not coincide with God's absolute holiness, and that this defect must still be very far greater in the case of spirit-corporeal man, who has earthiness as the basis of his origin-yea, according to Psa 51:7, man is conceived in sin, so that he is sinful from the point at which he begins to live onward - his life is indissolubly interwoven with sin, no living man possesses a righteousness that avails before God (Job 4:17; Job 9:2; Job 14:3., Job 15:14, and frequently). (Note: Gerson observes on this point (vid., Thomasius, Dogmatik, iv. 251): I desire the righteousness of pity, which Thou bestowest in the present life, not the judgment of that righteousness which Thou wilt put into operation in the future life - the righteousness which justifies the repentant one.) With כּי (Psa 143:3) the poet introduces the ground of his petition for an answer, and more particularly for the forgiveness of his guilt. He is persecuted by deadly foes and is already nigh unto death, and that not without transgression of his own, so that consequently his deliverance depends upon the forgiveness of his sins, and will coincide with this. "The enemy persecuteth my soul" is a variation of language taken from Psa 7:6 (חיּה for חיּים, as in Psa 78:50, and frequently in the Book of Job, more particularly in the speeches of Elihu). Psa 143:3 also recalls Psa 7:6, but as to the words it sounds like Lam 3:6 (cf. Psa 88:7). מתי עולם (lxx νεκροὺς αἰῶνος) are either those for ever dead (the Syriac), after שׁנת עולם in Jer 51:39, cf. בּית עולמו in Ecc 12:5, or those dead time out of mind (Jerome), after עם עולם in Eze 26:20. The genitive construction admits both senses; the former, however, is rendered more natural by the consideration that הושׁיבני glances back to the beginning that seems to have no end: the poet seems to himself like one who is buried alive for ever. In consequence of this hostility which aims at his destruction, the poet feels his spirit within him, and consequently his inmost life, veil itself (the expression is the same as Psa 142:4; Psa 77:4); and in his inward part his heart falls into a state of disturbance (ישׁתּומם, a Hithpo. peculiar to the later language), so that it almost ceases to beat. He calls to mind the former days, in which Jahve was manifestly with him; he reflects upon the great redemptive work of God, with all the deeds of might and mercy in which it has hitherto been unfolded; he meditates upon the doing (בּמעשׂה, Ben-Naphtali בּמעשׂה) of His hands, i.e., the hitherto so wondrously moulded history of himself and of his people. They are echoes out of Psa 77:4-7, Psa 77:12. The contrast which presents itself to the Psalmist in connection with this comparison of his present circumsntaces with the past opens his wounds still deeper, and makes his prayer for help all the more urgent. He stretches forth his hands to God that He may protect and assist him (vid., Hlemann, Bibelstudien, i. 150f.). Like parched land is his soul turned towards Him, - language in which we recognise a bending round of the primary passage Psa 63:2. Instead of לך it would be לך, if סלה (Targum לעלמין) were not, as it always is, taken up and included in the sequence of the accents.

In this second half the Psalm seems still more like a reproduction of the thoughts of earlier Psalms. The prayer, "answer me speedily, hide not Thy face from me," sounds like Psa 69:18; Psa 27:9, cf. Psa 102:3. The expression of languishing longing, כּלתה רוּחי, is like Psa 84:3. And the apodosis, "else I should become like those who go down into the pit," agrees word for word with Psa 28:1, cf. Psa 88:5. In connection with the words, "cause me to hear Thy loving-kindness in the early morning," one is reminded of the similar prayer of Moses in Psa 90:14, and with the confirmatory "for in Thee do I trust" of Psa 25:2, and frequently. With the prayer that the night of affliction may have an end with the next morning's dawn, and that God's helping loving-kindness may make itself felt by him, is joined the prayer that God would be pleased to grant him to know the way that he has to go in order to escape the destruction into which they are anxious to ensnare him. This last prayer has its type in Exo 33:13, and in the Psalter in Psa 25:4 (cf. Psa 142:4); and its confirmation: for to Thee have I lifted up my soul, viz., in a craving after salvation and in the confidence of faith, has its type in Psa 25:1; Psa 86:4. But the words אליך כסּיתי, which are added to the petition "deliver me from mine enemies" (Psa 59:2; Psa 31:16), are peculiar, and in their expression without example. The Syriac version leaves them untranslated. The lxx renders: ὅτι πρὸς σὲ κατέφυγον, by which the defective mode of writing כסתי is indirectly attested, instead of which the translators read נסתי (cf. נוּס על in Isa 10:3); for elsewhere not חסה but נוּס is reproduced with καταφυγεῖν. The Targum renders it מימרך מנּתי לפריק, Thy Logos do I account as (my) Redeemer (i.e., regard it as such), as if the Hebrew words were to be rendered: upon Thee do I reckon or count, כסּיתי = כּסתּי, Exo 12:4. Luther closely follows the lxx: "to Thee have I fled for refuge." Jerome, however, inasmuch as he renders: ad te protectus sum, has pointed כסּיתי (כסּיתי). Hitzig (on the passage before us and Pro 7:20) reads כסתי from כּסא = סכא, to look ("towards Thee do I look"). But the Hebrew contains no trace of that verb; the full moon is called כסא (כסה), not as being "a sight or vision, species," but from its covered orb. The כסּתי before us only admits of two interpretations: (1) Ad (apud) te texi = to Thee have I secretly confided it (Rashi, Aben-Ezra, Kimchi, Coccejus, J. H. Michaelis, J. D. Michalis, Rosenmller, Gesenius, and De Wette). But such a constructio praegnans, in connection with which כּסּה would veer round from the signification to veil (cf. כסה מן, Gen 18:17) into its opposite, and the clause have the meaning of כּי אליך גּלּיתי, Jer 11:20; Jer 20:12, is hardly conceivable. (2) Ad (apud) te abscondidi, scil. me (Saadia, Calvin, Maurer, Ewald, and Hengstenberg), in favour of which we decide; for it is evident from Gen 38:14; Deu 22:12, cf. Jon 3:6, that כּסּה can express the act of covering as an act that is referred to the person himself who covers, and so can obtain a reflexive meaning. Therefore: towards Thee, with Thee have I made a hiding = hidden myself, which according to the sense is equivalent to חסיתּי, as Hupfeld (with a few MSS) wishes to read; but Abulwald has already remarked that the same goal is reached with כסּתי. Jahve, with whom he hides himself, is alone able to make known to him what is right and beneficial in the position in which he finds himself, in which he is exposed to temporal and spiritual dangers, and is able to teach him to carry out the recognised will of God ("the will of God, good and well-pleasing and perfect," Rom 12:2); and this it is for which he prays to Him in Psa 143:10 (רצונך; another reading, רצונך). For Jahve is indeed his God, who cannot leave him, who is assailed and tempted without and within, in error; may His good Spirit then (רוּחך טובה for הטּובה, Neh 9:20) (Note: Properly, "Thy Spirit, רוּח הטּובה, a spirit, the good one, although such irregularities may also be a negligent usage of the language, like the Arabic msjd 'l-jâm‛, the chief mosque, which many grammarians regard as a construct relationship, others as an ellipsis (inasmuch as they supply Arab. 'l-mkân between the words); the former is confirmed from the Hebrew, vid., Ewald, 287, a.)) lead him in a level country, for, as it is said in Isaiah, Isa 26:7, in looking up to Jahve, "the path which the righteous man takes is smoothness; Thou makest the course of the righteous smooth." The geographical term ארץ מישׁור, Deu 4:43; Jer 48:21, is here applied spiritually. Here, too, reminiscences of Psalms already read meet us everywhere: cf. on "to do Thy will," Psa 40:9; on "for Thou art my God," Psa 40:6, and frequently; on "Thy good Spirit," Psa 51:14; on "a level country," and the whole petition, Psa 27:11 (where the expression is "a level path"), together with Psa 5:9; Psa 25:4., Psa 31:4. And the Psalm also further unrolls itself in such now well-known thoughts of the Psalms: For Thy Name's sake, Jahve (Psa 25:11), quicken me again (Psa 71:20, and frequently); by virtue of Thy righteousness be pleased to bring my soul out of distress (Ps 142:8; Psa 25:17, and frequently); and by virtue of Thy loving-kindness cut off mine enemies (Psa 54:7). As in Psa 143:1 faithfulness and righteousness, here loving-kindness (mercy) and righteousness, are coupled together; and that so that mercy is not named beside towtsiy', nor righteousness beside תּצמית, but the reverse (vid., on Psa 143:1). It is impossible that God should suffer him who has hidden himself in Him to die and perish, and should suffer his enemies on the other hand to triumph. Therefore the poet confirms the prayer for the cutting off (הצמית as in Psa 94:23) of his enemies and the destruction (האביד, elsewhere אבּד) of the oppressors of his soul (elsewhere צררי) with the words: for I am Thy servant.

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