Psalms 122 — DRA — Scriptura

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122To thee have I lifted up my eyes, who dwellest in heaven.
^{Verse 2}Behold as the eyes of the servants are on the hands of their masters, As the eyes of the handmaid are on the hands of her mistress: so are our eyes unto the Lord our God, until he have mercy on us.
^{Verse 3}Have mercy on us, O Lord, have mercy on us: for we are greatly filled with contempt.
^{Verse 4}For our soul is greatly filled: we are a reproach to the rich, and contempt to the proud.

Commentary

The preterite שׂמחתי may signify: I rejoice (Sa1 2:1), just as much as: I rejoiced. Here in comparison with Psa 122:2 it is a retrospect; for היה with the participle has for the most part a retrospective signification, Gen 39:22; Deu 9:22, Deu 9:24; Jdg 1:7; Job 1:14. True, עמדות היוּ might also signify: they have been standing and still stand (as in Psa 10:14; Isa 59:2; Isa 30:20); but then why was it not more briefly expressed by עמדוּ (Psa 26:12)? The lxx correctly renders: εὐφράνθην and ἑστῶτες ἦσαν. The poet, now again on the journey homewards, or having returned home, calls to mind the joy with which the cry for setting out, "Let us go up to the house of Jahve!" filled him. When he and the other visitors to the feast had reached the goal of their pilgrimage, their feet came to a stand-still, as if spell-bound by the overpowering, glorious sight. (Note: So also Veith in his, in many points, beautiful Lectures on twelve gradual Psalms (Vienna 1863), S. 72, "They arrested their steps, in order to give time to the amazement with which the sight of the Temple, the citadel of the king, and the magnificent city filled them.") Reviving this memory, he exclaims: Jerusalem, O thou who art built up again - true, בּנה in itself only signifies "to build," but here, where, if there is nothing to the contrary, a closed sense is to be assumed for the line of the verse, and in the midst of songs which reflect the joy and sorrow of the post-exilic restoration period, it obtains the same meaning as in Psa 102:17; Psa 147:2, and frequently (Gesenius: O Hierosolyma restituta). The parallel member, Psa 122:3, does not indeed require this sense, but is at least favourable to it. Luther's earlier rendering, "as a city which is compacted together," was happier than his later rendering, "a city where they shall come together," which requires a Niph. or Hithpa. instead of the passive. חבּר signifies, as in Exo 28:7, to be joined together, to be united into a whole; and יחדּו strengthens the idea of that which is harmoniously, perfectly, and snugly closed up (cf. Psa 133:1). The Kaph of כּעיר is the so-called Kaph veritatis: Jerusalem has risen again out of its ruined and razed condition, the breaches and gaps are done away with (Isa 58:12), it stands there as a closely compacted city, in which house joins on to house. Thus has the poet seen it, and the recollection fills him with rapture. (Note: In the synagogue and church it is become customary to interpret Psa 122:3 of the parallelism of the heavenly and earthly Jerusalem.)

The imposing character of the impression was still greatly enhanced by the consideration, that this is the city where at all times the twelve tribes of God's nation (which were still distinguished as its elements even after the Exile, Rom 11:1; Luk 2:36; Jam 1:1) came together at the three great feasts. The use of the שׁ twice as equivalent to אשׁר is (as in Canticles) appropriate to the ornamental, happy, miniature-like manner of these Songs of degrees. In שׁשּׁם the שׁם is, as in Ecc 1:7, equivalent to שׁמּה, which on the other hand in Psa 122:5 is no more than an emphatic שׁם (cf. Psa 76:4; Psa 68:7). עלוּ affirms a habit (cf. Job 1:4) of the past, which extends into the present. עדוּת לישׂראל is not an accusative of the definition or destination (Ew. ֗300, c), but an apposition to the previous clause, as e.g., in Lev 23:14, Lev 23:21, Lev 23:31 (Hitzig), referring to the appointing in Exo 23:17; Exo 34:23; Deu 16:16. The custom, which arose thus, is confirmed in Psa 122:5 from the fact, that Jerusalem, the city of the one national sanctuary, was at the same time the city of the Davidic kingship. The phrase ישׁב למשׁפּט is here transferred from the judicial persons (cf. Psa 29:10 with Psa 9:5; Psa 28:6), who sit in judgment, to the seats (thrones) which are set down and stand there fro judgment (cf. Psa 125:1, and θρόνος ἔκειτο, Rev 4:2). The Targum is thinking of seats in the Temple, viz., the raised (in the second Temple resting upon pillars) seat of the king in the court of the Israelitish men near the שׁער העליון, but למשׁפט points to the palace, Kg1 7:7. In the flourishing age of the Davidic kingship this was also the highest court of judgment of the land; the king was the chief judge (Sa2 15:2; Kg1 3:16), and the sons, brothers, or kinsmen of the king were his assessors and advisers. In the time of the poet it is different; but the attractiveness of Jerusalem, not only as the city of Jahve, but also as the city of David, remains the same for all times.

When the poet thus calls up the picture of his country's "city of peace" before his mind, the picture of the glory which it still ever possesses, and of the greater glory which it had formerly, he spreads out his hands over it in the distance, blessing it in the kindling of his love, and calls upon all his fellow-countrymen round about and in all places: apprecamini salutem Hierosolymis. So Gesenius correctly (Thesaurus, p. 1347); for just as שׁאל לו לשׁלום signifies to inquire after any one's well-being, and to greet him with the question: השׁלום לך (Jer 15:5), so שׁאל שׁלום signifies to find out any one's prosperity by asking, to gladly know and gladly see that it is well with him, and therefore to be animated by the wish that he may prosper; Syriac, שׁאל שׁלמא ד directly: to salute any one; for the interrogatory השׁלום לך and the well-wishing שׁלום לך, εἰρήνη σοί (Luk 10:5; Joh 20:19.), have both of them the same source and meaning. The reading אהליך, commended by Ewald, is a recollection of Job 12:6 that is violently brought in here. The loving ones are comprehended with the beloved one, the children with the mother. שׁלה forms an alliteration with שׁלום; the emphatic form ישׁליוּ occurs even in other instances out of pause (e.g., Psa 57:2). In Psa 122:7 the alliteration of שׁלום and שׁלוה is again taken up, and both accord with the name of Jerusalem. Ad elegantiam facit, as Venema observes, perpetua vocum ad se invicem et omnium ad nomen Hierosolymae alliteratio. Both together mark the Song of degrees as such. Happiness, cries out the poet to the holy city from afar, be within thy bulwarks, prosperity within thy palaces, i.e., without and within. חיל, ramparts, circumvallation (from חוּל, to surround, Arabic hawl, round about, equally correct whether written חיל or חל), and ארמנות as the parallel word, as in Psa 48:14. The twofold motive of such an earnest wish for peace is love for the brethren and love for the house of God. For the sake of the brethren is he cheerfully resolved to speak peace (τὰ πρὸς ἐιρήνην αὐτῆς, Luk 19:42) concerning (דּבּר בּ, as in Psa 87:3, Deu 6:7, lxx περὶ σοῦ; cf. דּבּר שׁלום with אל and ל, to speak peace to, Psa 85:9; Est 10:3) Jerusalem, for the sake of the house of Jahve will he strive after good (i.e., that which tends to her well-being) to her (like בּקּשׁ טובה ל in Neh 2:10, cf. דּרשׁ שׁלום, Deu 23:6, Jer 29:7). For although he is now again far from Jerusalem after the visit that is over, he still remains united in love to the holy city as being the goal of his longing, and to those who dwell there as being his brethren and friends. Jerusalem is and will remain the heart of all Israel as surely as Jahve who has His house there, is the God of all Israel.

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